hua xi zi 滑惜子


边/GRAB AND SHOOT BETWEEN SIDES
THE LAST SHOOT III
WEB CAM DIES IN THE SEA
SHADOW OF THE SHADOW/WANG LIANG WEN JING
IMAGE_EXCHANGE
ACCIDENTAL PHONE CAPTURE SERIES
氣/Qi
HUA清池观看游记/HUA QING CHI TRAVEL NOTES
UN-EXPOSING/影像连结
WHERE ARE YOU FROM
SING INTO THE VIRTUAL PRIVATE NETWORK
WINDOW
The FEEDBACK OF LOOKING
FANTASY OF BEING IN EXILE
100 Ft.
捕/Capture: A Solo Show
降B调的玻璃罩/GLASS COVER IN B FLAT
THE LAST SHOOT  
SEEING AND HUMMING
JIYŪ• BUZIYOU/自由·不自由
SEE,AGAIN,THE PASSING OF LIGHT/再び、見る、消え去る光
BE PRESENT WITH THE SHADOW
MANIFESTO
FANTASY FOR SOLITUDE





ABOUT
MYSELF, MY PATHS, AND MY WORKS




影像连结/UN-EXPOSING (2019-2020)




hd video, 35mm photography

I’ve been trying to resist, resist by proposing to un-expose, to un-do the gaze. I’ve been trying to mediate through my videos and images, as if there is a more vulnerable cry that bleeds out from the machine and our eyes while oscillating between worlds. The images I gather show a state of in between – not being “in-between” because of representational identity, but between me and the medium, between the medium and the world.


Included in the book Our Manifesto II: Videography Documentary Impulse
                                  《我們的錄像宣言2: 記述的衝動》
                                    Floating Projects 「據點 句點」, Hong Kong
http://floatingprojectscollective.net/art-notes/linda-lai-in-defense-of-video-manifestos-5/

Collected by Videotage, Hong Kong (Videotage Media Art Collection, VMAC)