hua xi zi 滑惜子


边/GRAB AND SHOOT BETWEEN SIDES
THE LAST SHOOT III
WEB CAM DIES IN THE SEA
SHADOW OF THE SHADOW/WANG LIANG WEN JING
IMAGE_EXCHANGE
ACCIDENTAL PHONE CAPTURE SERIES
氣/Qi
HUA清池观看游记/HUA QING CHI TRAVEL NOTES
UN-EXPOSING/影像连结
WHERE ARE YOU FROM
SING INTO THE VIRTUAL PRIVATE NETWORK
WINDOW
The FEEDBACK OF LOOKING
FANTASY OF BEING IN EXILE
100 Ft.
捕/Capture: A Solo Show
降B调的玻璃罩/GLASS COVER IN B FLAT
THE LAST SHOOT  
SEEING AND HUMMING
JIYŪ• BUZIYOU/自由·不自由
SEE,AGAIN,THE PASSING OF LIGHT/再び、見る、消え去る光
BE PRESENT WITH THE SHADOW
MANIFESTO
FANTASY FOR SOLITUDE





ABOUT
MYSELF, MY PATHS, AND MY WORKS




FANTASY OF BEING IN EXILE
(2019-2020)

super 16mm, black and white, digitized 16mm, optical sound, projection.
s
screened at: 
CROSSROADS 2020 Film Festival, San Francisco Cinematheque, online, US 
CROSSROADS 2020 – program 5 the rocks crumble



live 16mm projection loop documentation



<--- digitized video version of the 16mm film

world – camera – film – computer – screen – camera – film – screen – world

This video projection is about the unattainable. The haunting longing between the present and the unobtainable memory is a romantic dream to fight for freedom. It is an audiovisual expression as a response to both history and future events. The translations of visual material—from world to film to the digital screen and back to the world—are failed attempts to obtain. Fear. It is about not re-enforcing the suffering images and lives. Abstraction. It is a result of the power today—we are not allowed to directly talk about realities, truths and memories. It is also an individual murmuring to the collective memory. The inability to stay; the fantasy to be exiled.